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RACISM IN ROMANTIC MUSIC (4): CANONICAL SILENCING, AND SOME CONCLUSIONS
As a prefatory exercise for this post, consider the “rule of 4%”: less than four percent of the players in professional orchestras with...
John Michael Cooper
Jun 26, 20235 min read
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RACISM IN ROMANTIC MUSIC (3): ARCHIVAL SILENCING
In Parts 1 and 2 of this four-part post I attempted a systems-level analysis of the means and mechanisms (“linchpins”) by which racism...
John Michael Cooper
Jun 25, 20233 min read
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RACISM IN ROMANTIC MUSIC (2): SILENCING BY MUSIC PUBLISHERS
In Part 1 of this series of systems-level commentaries on Racism in Romantic Music (RRM), I discussed how the pervasive racism of the...
John Michael Cooper
Jun 24, 20233 min read
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RRM – RACISM IN ROMANTIC MUSIC (Part 1 of 4)
Dear Constant Reader, I’ve been absent from this blog for a while, partly because I needed to recharge, partly because I’m currently...
John Michael Cooper
Jun 23, 20237 min read
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THREE IN D.C.
The Voice of Margaret Bonds Rises in Three Events in the U.S. Capital This Weekend The estimable Margaret Bonds’s (1913-72) musical...
John Michael Cooper
Mar 29, 20224 min read
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THE CREDO SOUNDS AGAIN
W.E.B. Du Bois’s bold and brilliant civil-rights manifesto Credo was first published in 1904 and republished with revisions at the head...
John Michael Cooper
Feb 18, 20224 min read
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THE PROBLEM WITH PROGRAMS (Part 2)
Florence Price’s First Symphony, the 1933-34 World’s Fair, and Three Tribbles In the first part of this post I talked about the context...
John Michael Cooper
Apr 6, 20219 min read
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John Michael Cooper
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John Michael Cooper
Mar 411 min read
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John Michael Cooper
Jan 174 min read
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John Michael Cooper
Nov 2, 20245 min read
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