John Michael Cooper
RACISM IN ROMANTIC MUSIC (4): CANONICAL SILENCING, AND SOME CONCLUSIONS
As a prefatory exercise for this post, consider the “rule of 4%”: less than four percent of the players in professional orchestras with...
top of page
Search
John Michael Cooper
Jun 25, 20233 min read
RACISM IN ROMANTIC MUSIC (3): ARCHIVAL SILENCING
In Parts 1 and 2 of this four-part post I attempted a systems-level analysis of the means and mechanisms (“linchpins”) by which racism...
21 views0 comments
John Michael Cooper
Jun 24, 20233 min read
RACISM IN ROMANTIC MUSIC (2): SILENCING BY MUSIC PUBLISHERS
In Part 1 of this series of systems-level commentaries on Racism in Romantic Music (RRM), I discussed how the pervasive racism of the...
27 views0 comments
John Michael Cooper
Jun 23, 20237 min read
RRM – RACISM IN ROMANTIC MUSIC (Part 1 of 4)
Dear Constant Reader, I’ve been absent from this blog for a while, partly because I needed to recharge, partly because I’m currently...
124 views0 comments
John Michael Cooper
Mar 29, 20224 min read
THREE IN D.C.
The Voice of Margaret Bonds Rises in Three Events in the U.S. Capital This Weekend The estimable Margaret Bonds’s (1913-72) musical...
45 views0 comments
John Michael Cooper
Feb 18, 20224 min read
THE CREDO SOUNDS AGAIN
W.E.B. Du Bois’s bold and brilliant civil-rights manifesto Credo was first published in 1904 and republished with revisions at the head...
45 views0 comments
John Michael Cooper
Apr 6, 20219 min read
THE PROBLEM WITH PROGRAMS (Part 2)
Florence Price’s First Symphony, the 1933-34 World’s Fair, and Three Tribbles In the first part of this post I talked about the context...
399 views0 comments
bottom of page