BLACK REINSCRIPTION, WHITE REPRISAL: ELIZABETH KECKLEY AND MARGARET BONDS
- Nov 11, 2023
- 5 min
Margaret Bonds and The Ballad of the Brown King
- Mar 24, 2023
- 4 min
MARGARET BONDS, LANGSTON HUGHES, AND THE JOY OF “JOY”:
- Feb 22, 2023
- 5 min
A FATHER-DAUGHTER GIFT FOR TODAY
- Feb 19, 2023
- 3 min
A HISTORIC RE-ENACTMENT
- Jan 20, 2023
- 6 min
A COMPOSITIONAL COLLABORATION(?) BETWEEN MARGARET BONDS AND FLORENCE PRICE
- Dec 11, 2022
- 2 min
A MOST AUSPICIOUS OCCASION
- Nov 19, 2022
- 4 min
MARGARET BONDS: “NO MAN HAS SEEN HIS FACE” (1968)
- Nov 11, 2022
- 4 min
COALESCENCE, CULMINATION, AND EMANCIPATION:
- Jul 1, 2022
- 3 min
“I DEDICATED IT TO MOTHER”
- May 1, 2022
- 4 min
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
- Apr 23, 2022
- 3 min
THE VOICE OF MARGARET BONDS
- Mar 29, 2022
- 4 min
THREE IN D.C.
- Feb 18, 2022
- 4 min
THE CREDO SOUNDS AGAIN
- Feb 12, 2022
- 3 min
SINCE 1973
- Jan 27, 2022
- 2 min
MARGARET BONDS’S "TROUBLED WATER" IN HER ARRANGEMENT FOR CELLO AND PIANO
- Jan 22, 2022
- 4 min
LAMENT AND BENEDICTION
- Dec 13, 2021
- 2 min
TWO POSTHUMOUS REVIVALS OF MARGARET BONDS AND LANGSTON HUGHES: AFRICAN DANCE (Danse africaine)
- Dec 10, 2021
- 5 min
A MARGARET BONDS CHRISTMAS -- NORTH AND SOUTH, EAST AND WEST
- Nov 8, 2021
- 4 min
A(NOTHER) MARGARET BONDS PREMIERE:
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