A BOND OF DISTINCTION
BLACK REINSCRIPTION, WHITE REPRISAL: ELIZABETH KECKLEY AND MARGARET BONDS
Margaret Bonds and The Ballad of the Brown King
MARGARET BONDS, LANGSTON HUGHES, AND THE JOY OF “JOY”:
A FATHER-DAUGHTER GIFT FOR TODAY
A HISTORIC RE-ENACTMENT
A COMPOSITIONAL COLLABORATION(?) BETWEEN MARGARET BONDS AND FLORENCE PRICE
A MOST AUSPICIOUS OCCASION
MARGARET BONDS: “NO MAN HAS SEEN HIS FACE” (1968)
COALESCENCE, CULMINATION, AND EMANCIPATION:
“I DEDICATED IT TO MOTHER”
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
THE VOICE OF MARGARET BONDS
THREE IN D.C.
THE CREDO SOUNDS AGAIN
SINCE 1973
MARGARET BONDS’S "TROUBLED WATER" IN HER ARRANGEMENT FOR CELLO AND PIANO
LAMENT AND BENEDICTION
TWO POSTHUMOUS REVIVALS OF MARGARET BONDS AND LANGSTON HUGHES: AFRICAN DANCE (Danse africaine)
A MARGARET BONDS CHRISTMAS -- NORTH AND SOUTH, EAST AND WEST