JOLLY JINKS WITH FLORENCE PRICE
COALESCENCE, CULMINATION, AND EMANCIPATION:
J.S. BACH AND THE HARMONY OF THE SPHERES AT THE ROYAL OBSERVATORY GREENWICH
“I NEVER IMAGINED THAT A WOMAN COULD WRITE SUCH MUSIC!”
FLORENCE PRICE’S SCENES OF TENEMENT LIFE
THE CREDO SOUNDS AGAIN
SINCE 1973
A CLASSICAL BENEFIT RECITAL FEATURING “NEW” MUSIC BY FLORENCE B. PRICE
THE FIRST LIVE RECORDING OF AN AFRO-MODERNIST “COTTON DANCE” (ca. 1940) BY FLORENCE B. PRICE
A FLORENCE PRICE PREMIERE, MARGARET BONDS, AND A SELF-CORRECTION
ANOTHER FLORENCE PRICE PREMIERE
CELEBRATING MARGARET BONDS, COMPOSER AND PIANIST
AN “AMERICAN TANGO” BY MARGARET BONDS
COMPOSING FREEDOM:
“SHE HAS A MUSICAL MISSION”:
FLORENCE PRICE AND UNCLE NED
A NEW PERFORMANCE OF FLORENCE B. PRICE’S FANTASIE NÈGRE NO. 4 IN B MINOR BY DR. ELIZABETH HILL
“OUT OF THE CRUCIBLE” OF MISTAKEN IDENTITY
THE JOY OF WHIMSY
FLORENCE PRICE AND RACIST STEREOTYPES