Member of Leadership Council, The Souls of Black Folk: Rediscovering Black Classical Music (Festival given by the PostClassical Ensemble, Washington, D.C., 16 November 2021)

Musicological consultant, ONEcomposer, Season 2 (Margaret Bonds) (organized by Stephen Spinelli and Tamara Acosta, with contributions by Karen Slack and Michelle Cann)

Member of Advisory Board, Central Texas Philharmonic (August 2021-)

Member of Leadership Team, The Souls of Black Folk (Festival organized by PostClassical Ensemble, November 2021)

Co-producer, with Alicia Moore and Lara Downes: Testimony: A #BlackLivesMatter Manifesto after the "Credo" of W.E.B. Du Bois

• YouTube version (reading only)

• Podcast version with introduction and brief commentary for We Need Gentle Truths for Now

• Historical version (includes historical introduction and reading)

Member of editorial board for Member of editorial board for J. Peter Burkholder, Donald Jay Grout, and Claude V. Palisca, A History of Western Music , 10th ed. (New York: W. W. Norton, 2019)

Peer reviewer for National Endowment for the Humanities proposal (2019)

Peer reviewer for two proposals submitted to Deutsche Forschungsgemeinschaft

Peer reviewer for books published by:Ashgate Publishing; Boydell & Brewer; Cambridge University Press; Camden House; Oxford University Press; Routledge Publishing; University of Rochester Press; W. W. Norton

Peer reviewer for articles and book chapters published by:; Ashgate Publishing; W. W. Norton

Specialist Peer Review committee member, Council for International Exchange of Scholars (CIES), 2004 - 2006

Member of Musicological Team, The Online Chopin Variorum Edition, 2004.

Chief Musicological Consultant, The Mendelssohn Project, 2000-2004

Musical Consultant and Guest Lecturer for performance of original version (Urfassung) of Mendelssohn’s oratorio St. Paul given in Chemnitz (Germany), 8 October 1995. 

Museum Exhibit Coordinator, Bard College “Robert Schumann and His World” Festival, Annandale-on-Hudson, New York, August 1994 (Exhibit shown in Lincoln Center, October 1994)