John Michael CooperFeb 167 minSEQUINA DUBOSE: FROM “BLURRED LINES,” A MESSAGE CRYSTAL CLEAR (pt. 1 of 2)In some ways, the year 2023 was a year of revanchism and regression in classical music. Just a few years earlier, many voices –...
John Michael CooperNov 19, 20224 minMARGARET BONDS: “NO MAN HAS SEEN HIS FACE” (1968)Fifty-one-year-old Owen Brady was found unconscious and riddled with bullets inside a wrecked and burning car that had crashed into the...
John Michael CooperJul 1, 20223 min“I DEDICATED IT TO MOTHER”On the Origins of He’s Got the Whole World in His Hand by Margaret Bonds Margaret Bonds is justly celebrated for her inspired and...
John Michael CooperJun 10, 20225 min“I NEVER IMAGINED THAT A WOMAN COULD WRITE SUCH MUSIC!”On the Extraordinary Mel-Bonis (1858-1937) [This is the fifth in a series of posts of “blogified” short entries from the forthcoming...
John Michael CooperFeb 289 minBLACK REINSCRIPTION, WHITE REPRISAL: ELIZABETH KECKLEY AND MARGARET BONDS
John Michael CooperFeb 167 minSEQUINA DUBOSE: FROM “BLURRED LINES,” A MESSAGE CRYSTAL CLEAR (pt. 1 of 2)