A FLORENCE PRICE POSTHUMOUS PREMIERE
The Tombstone’s Tale (2)
RIDDLED WITH MISTAKES
RACISM IN ROMANTIC MUSIC (4): CANONICAL SILENCING, AND SOME CONCLUSIONS
RRM – RACISM IN ROMANTIC MUSIC (Part 1 of 4)
THE TOMBSTONE’S TALE
A COMPOSITIONAL COLLABORATION(?) BETWEEN MARGARET BONDS AND FLORENCE PRICE
JOLLY JINKS WITH FLORENCE PRICE
FLORENCE PRICE’S MOTHER AND FATHER SUED THE RAILROAD FOR DISCRIMINATION
A MEMORIAL PERFORMANCE FOR FLORENCE B. PRICE
FLORENCE PRICE’S SCENES OF TENEMENT LIFE
THE WORLD PREMIERE OF FLORENCE PRICE’S FIRST CHORAL-ORCHESTRAL COMPOSITION
JUDGEMENT DAY:
CELEBRATING A FLORENCE PRICE COMPOSITION THAT DIDN’T WIN
A CLASSICAL BENEFIT RECITAL FEATURING “NEW” MUSIC BY FLORENCE B. PRICE
THE VIOLIN AS STORYTELLER
THE FIRST LIVE RECORDING OF AN AFRO-MODERNIST “COTTON DANCE” (ca. 1940) BY FLORENCE B. PRICE
FLORENCE PRICE V. LANGSTON HUGHES AT THE “FEET O’ JESUS”
FLORENCE PRICE’S WASHERWOMAN SUITE, ARRANGED FOR STRING QUARTET
A FLORENCE PRICE PREMIERE, MARGARET BONDS, AND A SELF-CORRECTION
