A BOND OF DISTINCTION
A FLORENCE PRICE POSTHUMOUS PREMIERE
REDISCOVERING WILL DIXON AT 145
SEQUINA DUBOSE: FROM “BLURRED LINES,” A MESSAGE CRYSTAL CLEAR (pt. 1 of 2)
RIDDLED WITH MISTAKES
RACISM IN ROMANTIC MUSIC (4): CANONICAL SILENCING, AND SOME CONCLUSIONS
RACISM IN ROMANTIC MUSIC (2): SILENCING BY MUSIC PUBLISHERS
THE TOMBSTONE’S TALE
MARGARET BONDS, LANGSTON HUGHES, AND THE JOY OF “JOY”:
A HISTORIC RE-ENACTMENT
A COMPOSITIONAL COLLABORATION(?) BETWEEN MARGARET BONDS AND FLORENCE PRICE
FLORENCE PRICE’S MOTHER AND FATHER SUED THE RAILROAD FOR DISCRIMINATION
A MEMORIAL PERFORMANCE FOR FLORENCE B. PRICE
A MOST AUSPICIOUS OCCASION
MARGARET BONDS: “NO MAN HAS SEEN HIS FACE” (1968)
COALESCENCE, CULMINATION, AND EMANCIPATION:
“I DEDICATED IT TO MOTHER”
FLORENCE PRICE’S SCENES OF TENEMENT LIFE
ON HARRY T. BURLEIGH, HIS LIFE AND LEGACIES
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 2)