FLORENCE PRICE’S MOTHER AND FATHER SUED THE RAILROAD FOR DISCRIMINATION
A MEMORIAL PERFORMANCE FOR FLORENCE B. PRICE
A MOST AUSPICIOUS OCCASION
MARGARET BONDS: “NO MAN HAS SEEN HIS FACE” (1968)
COALESCENCE, CULMINATION, AND EMANCIPATION:
J.S. BACH AND THE HARMONY OF THE SPHERES AT THE ROYAL OBSERVATORY GREENWICH
“I DEDICATED IT TO MOTHER”
ON THE VERY FAMILIAR, AND VERY MYSTERIOUS, SCOTT JOPLIN
“I NEVER IMAGINED THAT A WOMAN COULD WRITE SUCH MUSIC!”
FLORENCE PRICE’S SCENES OF TENEMENT LIFE
OF HOPE AND NEW BEGINNINGS
ON HARRY T. BURLEIGH, HIS LIFE AND LEGACIES
ON DORA PEJAČEVIĆ (1885-1923)
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 2)
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 1)
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
THE VOICE OF MARGARET BONDS
THREE IN D.C.
THE WORLD PREMIERE OF FLORENCE PRICE’S FIRST CHORAL-ORCHESTRAL COMPOSITION
JUDGEMENT DAY: