FLORENCE PRICE’S SCENES OF TENEMENT LIFE
ON DORA PEJAČEVIĆ (1885-1923)
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 2)
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
THE VOICE OF MARGARET BONDS
THREE IN D.C.
THE WORLD PREMIERE OF FLORENCE PRICE’S FIRST CHORAL-ORCHESTRAL COMPOSITION
JUDGEMENT DAY:
THE CREDO SOUNDS AGAIN
SINCE 1973
CELEBRATING A FLORENCE PRICE COMPOSITION THAT DIDN’T WIN
MARGARET BONDS’S "TROUBLED WATER" IN HER ARRANGEMENT FOR CELLO AND PIANO
LAMENT AND BENEDICTION
A CLASSICAL BENEFIT RECITAL FEATURING “NEW” MUSIC BY FLORENCE B. PRICE
THE VIOLIN AS STORYTELLER
THE FIRST LIVE RECORDING OF AN AFRO-MODERNIST “COTTON DANCE” (ca. 1940) BY FLORENCE B. PRICE
A MOST AUGUST OCCASION
TWO POSTHUMOUS REVIVALS OF MARGARET BONDS AND LANGSTON HUGHES: AFRICAN DANCE (Danse africaine)
A MARGARET BONDS CHRISTMAS -- NORTH AND SOUTH, EAST AND WEST
ARE WOMEN PEOPLE?