ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 1)
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
THE VOICE OF MARGARET BONDS
THREE IN D.C.
THE WORLD PREMIERE OF FLORENCE PRICE’S FIRST CHORAL-ORCHESTRAL COMPOSITION
JUDGEMENT DAY:
THE CREDO SOUNDS AGAIN
SINCE 1973
CELEBRATING A FLORENCE PRICE COMPOSITION THAT DIDN’T WIN
LAMENT AND BENEDICTION
THE VIOLIN AS STORYTELLER
THE FIRST LIVE RECORDING OF AN AFRO-MODERNIST “COTTON DANCE” (ca. 1940) BY FLORENCE B. PRICE
TWO POSTHUMOUS REVIVALS OF MARGARET BONDS AND LANGSTON HUGHES: AFRICAN DANCE (Danse africaine)
FLORENCE PRICE V. LANGSTON HUGHES AT THE “FEET O’ JESUS”
THE PROBLEM WITH PROGRAMS (Part 3)
THE PROBLEM WITH PROGRAMS (Part 2)
THE PROBLEM WITH PROGRAMS (Part 1)
THE BEAUTY OF BLACKNESS
RACIAL JUSTICE AND AMERICAN PATRIOTISM
CELEBRATING MARGARET BONDS, COMPOSER AND PIANIST