ON THE VERY FAMILIAR, AND VERY MYSTERIOUS, SCOTT JOPLIN
“I NEVER IMAGINED THAT A WOMAN COULD WRITE SUCH MUSIC!”
FLORENCE PRICE’S SCENES OF TENEMENT LIFE
OF HOPE AND NEW BEGINNINGS
ON HARRY T. BURLEIGH, HIS LIFE AND LEGACIES
ON DORA PEJAČEVIĆ (1885-1923)
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 2)
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 1)
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
THE VOICE OF MARGARET BONDS
THREE IN D.C.
THE WORLD PREMIERE OF FLORENCE PRICE’S FIRST CHORAL-ORCHESTRAL COMPOSITION
SINCE 1973
A CLASSICAL BENEFIT RECITAL FEATURING “NEW” MUSIC BY FLORENCE B. PRICE
THE VIOLIN AS STORYTELLER
THE FIRST LIVE RECORDING OF AN AFRO-MODERNIST “COTTON DANCE” (ca. 1940) BY FLORENCE B. PRICE
A MOST AUGUST OCCASION
“THE THREE WISE MEN”:
TWO POSTHUMOUS REVIVALS OF MARGARET BONDS AND LANGSTON HUGHES: AFRICAN DANCE (Danse africaine)
A MARGARET BONDS CHRISTMAS -- NORTH AND SOUTH, EAST AND WEST