ON THE VERY FAMILIAR, AND VERY MYSTERIOUS, SCOTT JOPLIN
FLORENCE PRICE’S SCENES OF TENEMENT LIFE
OF HOPE AND NEW BEGINNINGS
ON HARRY T. BURLEIGH, HIS LIFE AND LEGACIES
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 2)
ON JAMES MONROE TROTTER AND HIS "MUSIC AND SOME HIGHLY MUSICAL PEOPLE" (Part 1)
“UNIVERSITIES, UNIVERSITIES, UNIVERSITIES!” (1)
THE VOICE OF MARGARET BONDS
THREE IN D.C.
THE WORLD PREMIERE OF FLORENCE PRICE’S FIRST CHORAL-ORCHESTRAL COMPOSITION
JUDGEMENT DAY:
THE CREDO SOUNDS AGAIN
SINCE 1973
CELEBRATING A FLORENCE PRICE COMPOSITION THAT DIDN’T WIN
MARGARET BONDS’S "TROUBLED WATER" IN HER ARRANGEMENT FOR CELLO AND PIANO
LAMENT AND BENEDICTION
A CLASSICAL BENEFIT RECITAL FEATURING “NEW” MUSIC BY FLORENCE B. PRICE
THE VIOLIN AS STORYTELLER
“THE THREE WISE MEN”:
TWO POSTHUMOUS REVIVALS OF MARGARET BONDS AND LANGSTON HUGHES: AFRICAN DANCE (Danse africaine)